Arquivo para julho \30\UTC 2012

Case study: Kinder (Ferrero)

Kinder é a marca de chocolate mais vendida no mundo e seus produtos são comercializados em mais de 80 países. Fomos responsáveis pela primeira reestilização da marca em quase 40 anos, tarefa que incluiu encontrar o novo “menino Kinder” e criar diretrizes para padronizar a identidade em todos os produtos e mercados-chave internacionais. O projeto resultou num aumento significativo no volume de vendas. Nossa agência é parceira da Ferrero desde 2003, trabalhando em marcas como a Tic Tac, Cheri Mon, Ferrero Rocher e Nutella.


A internet e o marketing digital

Qual a profundidade das mudanças que ocorreram com a evolução da internet? Como deve funcionar o novo marketing neste mundo digital?

Case study: Dobra Voda (República Checa)

Dobra Voda, que literalmente significa “Água Boa”, é uma marca de Karlovarské Mineralni Vody, o maior produtor de água mineral na República Checa. Moderna, acessível e perto da natureza, a sua gama de produtos inclui águas minerais e flavorizadas. Nossa agência acompanhou várias evoluções da marca, culminando em sua identidade contemporânea e original, que hoje é líder na categoria de água mineral em seu país.











De onde vem as boas ideias?

Essa é uma pergunta que os profissionais criativos se fazem todos os dias. Como criar algo inovador? Qual é o processo que nos leva a ser mais criativos?

Este vídeo de Steven Johnson nos dá vários insights fantásticos:

Case study: Diageo – Rum Zacapa XO

XO é a linha premium do mundialmente renomado rum Zacapa. A bebida é envelhecida 25 anos em barricas de carvalho francês, a uma altitude de 2.300 metros nas montanhas da Guatemala. Durante vários anos, nossa agência tem ajudado a Diageo a desenvolver embalagens premium e diversos materiais de merchandising. Parte desse trabalho foi exibido na Triennale Design Museum, em Milão.


Does each brand need a story to be social?

There was much of a hype around the announcement of Facebook’s new brand pages at the end of the last month. The introduction of the Timeline layout required companies to start a new, more visually inviting, approach towards their Facebook audience, with the offer of ‘a richer creative canvas for brands’.

Potentially, every brand can recreate with images its own story. One of the most visually inspiring is doubtlessly the official Fan Page of the United States Navy, with its collection of paintings and photographies which retrace the navy history in the past 2 centuries.

US Navy timeline

Fanta is instead brilliantly using its timeline with a different visual approach: instead of showing the brand history, the news feeds are used to make photo mosaics, giving a nearly spectacular composite effect (much more enjoyable if you have bigger screens).

Fanta timeline

With this new layout, it has been experienced a huge drop in traffic towards tabs and apps besides the brand’s wall (the Timeline), which before were used as the real instrument for the users retention: now they’re highlighted on a strip below the cover photo, making them harder to find and less inviting than the previous sidebar menu. Introducing the Timeline, Facebook went for a deep cleanse of the brand page from blatant marketing and promotions, forcing a more social experience from brands through policy and retention. Carefully looking in the Brand Page’s FAQ, about the Cover Photo, appear more strict guidelines:

Cover images must be at least 399 pixels wide and may not contain:

  • Price or purchase information, such as “40% off” or “Download it at our website”
  • Contact information, such as web address, email, mailing address or other information intended for your Page’s About section
  • References to user interface elements such as Like or Share, or any other Facebook site features
  • Calls to action, such as “Get it now” or “Tell your friends”

Translated, it means that you cannot use this area of the page to promote your products, invite people to Like or Share, tell people how to find you offline or online or otherwise contact you. So, no more default Welcome Tabs and no more ‘Like our page to get a 2% discount offer!’ claims.

Design and creativity now became the real drivers for communications. In particular, smaller companies and poorly known brands, whose history can’t evenly compete with estabilished brands or organizations such as Coca Cola or the U.S. Navy, can now focus on a more catching visual impact to leverage their relation with fans: a page with an effective and catching Cover Photo is more likely to intrigue and allure users; if the visual experience continues towards all the timeline (see the examples above), users are more willing to spend time reading and checking the page – therefore increasing the chances that marketing messages and ongoing promo initiatives will be perceived. But that might be not enough to keep users on the page.

Beside the pros, some contros still require a bit more of attention by the companies. A question: who will actually “read” the story published onto the Timeline? The Cover Photo, together with the possibility to pin a post on top of the others, pushes down the rest of the content, moving the posts down faster – quite a bad situation if fans are willing, or asked, to post on the page Wall. There might also be the risk of an ‘engagement loss’, in which interactions by the user slide away from the other users’ reach.

Exactly because of this, Joshua Teixeira and Victor Piñeiro, in their article on Co.Create, pointed out that ‘without a strong value-add and pull strategy from the brand, fans are less likely willing to venture into the brand page’. No matter how creative and nice your Cover Photo will be, only adding also authentic value to the fan base through social posts is possible to engage users and enhance their participation into the page.

Keep it in mind, Brands ;)

Fonte: Blog Lumen-Italia